from the introduction to M. M. Bakhtin's The Dialogic Imagination, edited by Michael Holquist, translated by Caryl Emerson and Michael Holquist:
"The majority of literary scholars are most at home when dealing with canons, which is why Bakhtin said that literary theory is helpless to deal with the novel [contemporary poetry, too, I insert]. Rather, 'novel' is the name Bakhtin gives to whatever force is at work within a given literary system to reveal the limits, the artificial constraints of that system [concrete/visual/sound/zaum/lang po/poetry]. Literary systems are comprised of canons, and 'novelization' is fundamentally anticanonical... Always it will insist on the dialogue between what a given system [pool of quietude] will admit as literature and those texts that are otherwise excluded from such a definition of literature [concrete/visual/sound/langpo/poetry]" (xxxi).